I watched the premiere of Star Trek: Deep Space Nine back in 1993, and I hated it. I was a teenager, and this show bored me to tears (it’s called Trek, but they don’t actually go anywhere!). I did the natural thing: I forgot it existed for more than two decades.
I checked out some episodes on Netflix recently, and I was quite amazed: Deep Space Nine is awesome!
If Rogue One is Star Wars for grown ups, Deep Space Nine is Star Trek for adults. Even the opening credits (whose slowness baffled me as a kid), illustrate this contrast. Where the first two Star Trek series had zippy, bombastic anthems playing, DS9 has a somber, stately processional.
And I never knew that DS9 was a tense political thriller! World building is a big thing in the realm of fantasy writing these days, but unlike the rest of the franchise up to that point, DS9 isn’t an obvious analogy for the political environment of our time, but has completely invented its own wholly complete and complex political milieu from scratch.
And it’s unabashedly a military thriller! This is a story of the world at war. (Gene Roddenberry always wanted Star Trek to be about a hippie Utopia without real violence; hence the emphasis on families on board the Enterprise in season 1 of TNG, and hence the detachable saucer to whisk them off to safety in time of need–both awful plot devices that quietly disappeared as that show became much better).
But DS9 is absolutely saturated in military conflict. It’s everywhere, all the time. And, again, it’s a rich, mature world of serious political intrigue. This will definitely be my next Netflix binge show. For anyone else who might have written this off back in the 90s, do yourself a favor and give Deep Space Nine another chance.